Tuesday, February 7, 2023

40.

Samburu (Elephants) by Karen McCall


Drinking chai tea 

one night while camping in Kenya

I snap to attention 

as roots groan, 

bark shreds,

branches crack.

A small herd of elephants 

pads softly near my tent,

tearing at trees 

in search of food.

Adults rumble amiably and

snuffle up leaves.

A little one squeals.

I close my eyes

to fully savor the presence of this gentle sorority-- 

when the matriarch booms a thunderous growl

that jerks my rag-doll body

into the air.

Upon landing,

I rearrange my limbs

and regain my composure.

Nerves soothed,

drama complete.

Trusting,  that the elephants trust me,

I fall asleep to the lullaby 

of their, now quiet, feasting.

I rise with the sun

to a chorus of snoring and farting.

Next to my tent

five leathery mountains, 

   three adults    two calves,

lie curled on their sides asleep.

The sixth elephant stands silently

guarding her family.

She must have seen or heard me

because the group floats to their feet in an instant.

And —

     what a trick—

these giants vanish

like smoke.

All night long we had slept 

next to each other

commingling breath,

dreaming of a new world built of grass and sky

where the Messiah is a mother.

Karen McCall

April 28, 2019



41.

Howler Monkeys - by Karen McCall


In darkness, before

sun swallows night,

male Howler monkeys rumble-roar from tropical tree tops.


Then quiet

covers the forest.

Quiet

quiet

quiet…


Until,

an alpha male

once more

thunder-growls his warning to all potential rivals—


constructing castle walls

with sound


42.

Gray Encounter (Grsy Whales)

By Karen McCall


Sea spray

bearing the tang of kelp and crustaceans

stings my face in the early light

as we skim across the surface

of the lagoon.

I am watching gray whales

feast and frolic

in the kiwi-colored shallows

of Magdalena Bay

when a cow-calf pair approaches our skiff.

The younger whale, only weeks old,

dwarfs our small boat.

His smooth elastic skin,

fresh from the shelter of his mother’s womb,

is already buttoned with barnacles.

Next to our bow,

he lifts his rostrum

out of the water

in friendly greeting.

His curious eye looks directly into mine

inviting my touch.

Before I stretch my fingers over the gunnels

to caress that infant cheek

Before the baby whale closes his eye in pleasure

at my touch

Before we linger

together like this

for a long part of an hou


His mother dives below

our panga and

lifts our boat a few inches higher in the sea.

We rise on her back,

emerging like an island from the brine.

She calculates

and pauses,

before

gently

letting

us

go.



43.

Raising Butterflies

By Karen McCall


In the dry aquarium in my kitchen,

a caterpillar

convulses with the promise of wings.

Parsley and milkweed within glass walls

create a small Eden

where fat fleshy cylinders feast,

then bubble out of old, too-tight skins

sending Monarchs, Painted Ladies, Black Swallowtails

into a transformative sleep.

In their final disrobing,

Monarch larvae leave behind

translucent, jade-green jewels

suspended from branches upon which

they once flexed and fed.

Their chrysalids store

a viscous caterpillar soup

that will morph into patterned, papery wings

designed to soar across seas.

On this morning,

one chrysalis darkens and trembles in contractions.

Green skin tears away

as twitching antennae emerge,

probing the alien air.

I midwife these birth-soaked butterflies

outdoors to cure in the sun.

The heat lifts them in the sky--

a confetti of wings.


44.

On The Edge - Tamarins


Their long tails flowing

Parabolas their paths of air

Stitching earth to sky


In the sweeping world

The trees on the edge of death

As if immortal


Eye to eye and face

To face the tamarins meet

The aspect of eternity



The Kraken


Shapeless the kraken

Lies in the darkness, down deep

Waits to rise again


Unimaginable

In our own minds’ recesses

The power gathers


It cannot be yet

Here on the surface the waters

Are calm, unruffled


But we know, we know

In the back of our mindings

Our moments will pass


Monday, February 6, 2023

A POLYNESIAN SAGA - A SNAPDRAGON CHILDREN'S THEATRE PRODUCTION

For over twenty years we wrote and produced children's plays in Carroll County, New Hampshire, USA. Casting children as animals as well as creatures of the imagination enabled us to help them explore the natural world more widely than their immediate environment. The following introductory scene explores the various levels of the ocean and the sky above.

This was one of our most ambitious and large-scale productions, set in a culture alien to our local population in New England. Fish, many other sea creatures and dragons, not to mention voices of the gods, complemented a large cast of Polynesian people. We felt that our play was important, in that it enabled us to introduce and honor a relatively neglected and under-appreciated very large part of the world.

The script has some unusual features. Because there are groups of fish, an albatross etc.,who speak recurring lines or poetry, there is considerable leeway as to how their appearances are dispersed through the scenes. This play would suit a cast with many very young members.

FISH POETRY

The fish have their own style of poetry/group chant. They can speak in sequence or in unison. Their movements can be coordinated according to their words, or be independent of them. The whale may be just one whale, but the poem is a group poem anyway. The school and the flying fish need to be choreographed to move together.)

THE SLOW CHANT OF THE DEEP SEA FISH:

Down here in the darkest deeps

On the floor we crawls and creeps

Here the mystery comes and sleeps

Falling down the endless steeps

Living here where no light peeps

Barren desert where we reaps

Softer creatures fails and  weeps

On the floor we crawls and creeps

We can live where no light peeps


Endless space and falling food !

Diverse species to the good !

Pluripotent plenitude !

 

IN THE MIDDLE ZONES

We are whales at play in the seas of forever

We know no nothing  and no never

The  bonds between us never sever

We know wisdom's more than clever

Our delight will never waver

Harmony's our sole endeavor


THE SONGS OF THE CREATURES OF THE SURFACE

The ocean is our glorious home

Over it we're free to roam

Under Heaven's starry dome


(The school of fish)

We're schooling

We're pooling

We are DNA unspooling


We are pliant

We're defiant 

We are one colossal giant !


Together we ride

From side to side

And as we glide

We cannot hide

It is our pride

Here to reside

Our lives flow onward with the tide


As we roam we twist and dash

As we swim our bodies flash

Shining scales and tail-fins clash


We are many we are one

We are here till Kingdom Come

We are here till life is done


(The Flying Fish)

By speed alone we cannot save 

Our lives in water that we crave

So we fly above the wave

Do not pity us our plight

We're majestic in our flight

We are glorious in our might


Over waves so glistening bright

We are such a wondrous sight

Air and sunlight is our right


The ocean is our splendid home

And over it we're free to roam

Under heaven's starry dome.


THE ALBATROSS (Played by three actors working together. It appears from time to time flying across the stage above the ships. It has its own poem:)

I am the mighty albatross

I am never at a loss

The ocean wide I ever cross

A roving bird, I grow no moss

And I can tell true gold from dross

My beak is sharp, I do not floss

I never count a day as loss

As over latitudes I toss 

My heaviness, my mournfulness

So do not think of me the less

I am the mightiest bird of all

I heed the ocean's restless call.

Mermaid


I’m all washed up,

dumped by the tide

in a tangle of seaweed,

my hair matted and stiff with salt,

barnacles clinging to my bare breasts,

my tail entangled

in a fisherman’s line, his hook

embedded deep like a tick.

I’m bleeding, briny,

smelling of fish.

Wish I had a mirror and a comb

but there’s nothing in

the flotsam on this beach

but plastic bags and beer cans.

I’ll have to start singing,

lure me an old sea-dog

to come and rescue me,

though my voice is rusty

since I haven’t talked to a soul all day

and I’m thirsty, so thirsty.

I’ve lost my home.

My beautiful youth

faded a long time ago,

I’ve not even the inclination to go on,

battered by the sea,

which tries to drag me back

with every new tide.

It’s bleak, on my own on this rock.

Not a good time to be a mermaid.

I’m too old to be postmodern,

too wily to be Disneyland,

too tired to be ironic.

Please don’t put me

in a zoo,

in your phone,

in the papers,

my hair’s all thin and grey,

I’ve lost my teeth,

my breasts flap like deflated balloons,

my tail is dried out and sore,

and it’s spread, and spread, and spread.

Talking to the Dodo


I do know that you died, you and

all of your kind, a long time ago.

But I want to have this conversation

and the living don’t have the patience.

You know what it’s like to fall

into a lake of tears, to think you will

never reach dry land again, never

unruffle your bedraggled feathers.

My whole life has become a caucus race,

with no beginning and no end,

no rules, and no winners, only losers.

What I want to ask you, Dodo, is why

did you simply drop out of the story?

I’m afraid the same fate awaits me.

Granted you made a bit of a mark,

but it’s crumbling now, dust in the wind,

with all the other forgotten creatures

who didn’t give a thought to legacies

or heritage, or what people thought of them.

Who remembers your beautiful plumage now?

All we know is your extinction.

After all, you couldn’t even fly!

I’m not a flyer myself, the more I try

to take off into the blue empyrean,

the more I am grounded on this sad earth,

my colours fading, my voice moving

further off into the mute distance.

What undoes me is that when I am gone

no-one will rail against the unfairness

of it all, no-one will complain.

No-one will write me into a story,

even if only to drop me out of it again.

I won’t even be a wail on the wind.


34.

Gold Frog


Worth its weight in gold:

Its life half-buried treasure

Living forest floor


A shielded sovereign:

No suit of armour, more  a door

Seals its hiding place


35.

Wallace’s Flying Frog


Nature has performed

Some precise calculations:

Surface area to weight


Flippers for gliding

Making its own tadpole pond

Just another attribute


36.

Midwife Toad


My reward my genes

In a sticky string of eggs

Tied around my legs


Drag them to water

Heavy chains of fatherhood

Days and nights of love


37.

Tasmanian Devil


The devil we know

Has lost its wolf provider

Taken to hunting


Crunching carcasses

With massive jaws just a part

Of the whole story


Mummies have pouches

For months of baby safety

Half a year’s love milk


38.

On The Edge - Thr Tamarins, Emperor, and Golden Lion


Their long tails flowing

Parabolas their paths of air

Stitching earth to sky


In the sweeping world

The trees on the edge of death

As if immortal


Eye to eye and face

To face the tamarins meet

The aspect of eternity


39,

Iguana

When we retire, in a year or two, we’re going

to live on a smallholding in a warm climate -

New Zealand, or the south of France,

or it might have to be Essex - somewhere

drier than here, because of my arthritis,

out in the country but near a hospital,

with shops, a good library, easy access

to cultural venues, and we’ll grow our own

vegetables and get on with the neighbours,

eat breakfast and lunch and dinner

outside in the garden. Perhaps we’ll get

a boy in to help, if Richard’s knee gets

any worse. There’ll be no more depression

from me, no more illness, I’ll have been

going to the gym by then and have lost

a few stone and be able to move more easily.

And we are going to have two collie dogs

and two cats (we have the cats already)

and a parrot in another part of the house,

and an iguana.

That’s the only thing that worries me.

The iguana.

Do they get on with dogs and cats?

We’ll have a conservatory, I forgot that,

so perhaps the iguana could live in there.

No, the cats would always be in there,

because of the sun and the warmth.

Would we have to keep it in a cage?

Or would it roam freely through the house,

come slithering into bed unannounced,

in the middle of the night, as Smokey does,

and would it feel warm and cuddly,

or cold and scaly, and scrape my shins?

(I have to be careful of my shins.)

Or am I thinking of an armadillo?

And what do they eat? Would it eat

mice, dogfood, leaves? Would we keep

losing it as it darted behind wardrobes,

or would it live in the airing cupboard?

And if we went away, would a cat, dog,

and parrot sitter be prepared for an iguana?

Wouldn’t he draw the line at an iguana?

Shouldn’t I draw the line at an iguana?


Rosemary Mcleish



40.

Old Buffalo


Old Buffalo wakes up in the morning,

creaks to his arthritic knees, groans as he

lumbers to his feet, looks about him,

dopey with sleep, confused. Where is he?

Instead of the herd, he sees a long string

of something he doesn’t know how to

think about: horses, he knows them

from the past, and those strange creatures

which stand up on their hind legs and

make a lot of noise, he’s seen them before.

But what are those huge lumbering things,

moving head to tail across the prairie?

Time was, when his eyes were still good,

he could look across the world and all

he would see was food, mile upon mile

of delicious food, swaying in the breeze,

glinting in the sun. But now everything

is changing, he doesn't understand the

barren patches, and where is the herd?

There used to be buffalo everywhere,

eating, and when he was king, cows

for the taking, sons and battles and glory.

Now he sees the last of them, so few,

moving away in the distance, leaving him,

the sign that his time has come. Behind

his back in the night he’s been ousted.

He bellows and stamps but he’s tired,

he’s finished. They don’t look round.

He thinks he’ll go to the buffalo jump,

take the hero’s last leap, but on the way

death comes to meet him, in the guise of

a greedy little man on a pony with a rifle,

who has no use after all for the worthless hide,

the mangy hump, or the withered old balls.


Rosemary Mcleish

Friday, February 3, 2023

Slimy Salamander

Slimy Salamander


Breathing through its skin

It basks in watery air

In its dank, dark world


It surprises us:

Behaves above its image

Faithfully guards its eggs



--

Thursday, February 2, 2023


It just goes to show

An abundance of plant makes

A diplodocus

--

White Dove

The dove cooed happily in his slipper.
He fetched her and danced
His last dance, with a dove on his head.
His friends laughed, this is better than a circus.

The garage was full of the bird’s shit. 

They say a white dove brings ruin. 

An hour later the boy lay dying.

A boy dancing with a dove,
Fishing in a mountain lake,
Images, images of wings
Brilliant against the sun of a father’s heart 

Choking with the tears of his absence.

His last dance with a dove
Was the passing of an angel
Who flew in and out of the life
Of the father who waited to know him.

The dove bled against the cage
 

“Take it away, take it”.
They took it to the graveyard
 

And let it fly.

There was a strong smell of flowers as an angel flew Bursting with light and the fragility of blossoms.


Santiago 1991

 

1. 

Black Bear


Black bear grumbling along

Ancient trails through the woods

Denned tight all winter